The story is simple: a very grumpy older man called Otto is fed up with life and wants to end his own, but he is constantly interrupted, mainly by new neighbors who are not scared away by his rudeness. Gradually he is persuaded to live again. It’s a simple, life-affirming story that works so well because of the complex, endearing way it is told. It worked in A Man Called Ove (2016) and it works again in this American remake.
Marc Forster’s film introduces Otto (Tom Hanks) when he is at his lowest point; he is an irascible older geezer who would rather kill himself than continue a pointless life without his wife, who recently died. But through the magic of flashbacks, comic timing, neighbors just as stubborn and obstinate as Otto, a beautiful cat and a sterling script, the movie reveals the real Otto as a man with a good heart. He cannot help but work for others even at his own expense, even when it makes him crazy. Truth be told, his anger is what keeps him alive.
When his future wife Sonya (Rachel Keller) is first encountered, we wonder what she can possibly see in the young Otto (Truman Hanks). And while this is never properly explained (who can explain love?) it is Sonya’s grace that fulfills him. When their story turns tragic, it is because of her grace that Otto becomes more than himself. And when she dies, he cannot cope. All of this is presented honestly and beautifully. When Otto finally tells the pregnant neighbor lady Marisol (Mariana Treviño) what happened to them, it is heartrending.
Movies like this depend on universal understanding of their themes, and this one hits all the right notes. The performances are perfect, the tone just right. This American version adds some contemporary touches and involves Otto’s community a bit more than the original. It may not be as good as the superb original, but it isn’t far off. I’m also a sucker for movies where a cat is pivotal to the story and gauges the sincerity of the main character. Another gem for Tom Hanks and company. ☆ ☆ ☆ ☆. 14 January 2023.