One of the worst things one can imagine happening at work is a shooting, perpetrated by a co-worker.  This drama explores such a situation, leading to an explosion of violence rather early in the story, than following the aftermath to its inevitable conclusion.  It’s a horror movie, in a way, but I see it as more of a character drama, where one of the guys has a big gun and isn’t afraid or hesitant to use it.  Which makes him all the more horrifying.

Carter Smith’s movie finds a mild-mannered young man, Randy Bradley (Johnny Berchtold), witness to a horrific shooting at the isolated fast-food restaurant where he works early one morning.  The shooter then forces him to accompany him around the small town as they explore what brought each of them to that point that fateful morning, and to face what each of them can do from that point forward.  And, of course, to face what’s coming because of the shooting.

Written by Jack Stanley, the scenario is bold and thought-provoking, if not always plausible.  Many viewers will argue that the shooter should just have made his getaway, leaving everything behind.  Some would, of course, but this guy, I think, knows that he cannot escape the consequences of his actions and has decided to use his time left to try to make a difference in Randy’s life, one way or another.  Their odyssey together is compelling, especially when it involves Randy’s former teacher Miss Beard (Liza Weil).  Her story is quite poignant and very interestingly presented.

Ultimately this movie delves into why people do what they do, good or bad, and the consequences of those actions.  And just like in real life, it’s fascinating stuff.  From offhand remarks which lead to sharp rebukes and then more, to fateful decisions which end lives very quickly, this story explores how so many factors lead to certain actions and why.  It’s a rough movie in terms of violence and language, but it certainly has much to say, even if it isn’t as plausible as it could have been.  ☆ ☆ 1/2.  20 July 2024.