I recorded this Canadian film on my DVR and kept it there for about a year, totally expecting a comedy about a couple trying to control their cussedness before welcoming a new baby (they can hear in the womb, you know).  Finally I watched it and was amazed to experience a completely different story than I expected, one which surprised me with its raw emotional power and its tenderness, as well as its bold humor.  I definitely recommend it.

Lindsay MacKay’s film is about Carey (Adelaide Clemons), a young wife who learns that she is expecting a baby.  Her marriage with Simon (Patrick J. Adams) seems strained, however, and she becomes friends with Owen (Douglas Smith), a musician who clearly likes her very much.  With two men from which to choose, which way will Carey lean?

With clever time jumps, deprecating humor and very solid performances from all, this love story surprised me as Carey’s life endures several twists and turns.  Kathleen Turner has a vivid role as Simon’s mother, who always wants more contact, and the songs which Owen plays and Carey sings throughout the story make a strong impression.  The songs are written by Kate Hewlett, author of the film’s screenplay which, in turn, is based on her own play.  Lindsay MacKay’s direction is sensitive and smart, bringing this low-key slice of life story to fresh, impressive, spirited reality.

In an era when most movie characters have to have super powers or undergo extraordinary circumstances it is great to see a movie about real people trying to find their way through real life with humor and grace.  This almost feels like a film from a different time.  Or perhaps life is just more normal in Canada.  ☆ ☆ ☆.  10 November 2024.