The Superman legend has become cultural mythos, especially due to the wonderful 1978 movie that so beautifully presented the formative years of Clark Kent / Superman. But what if things had gone differently? What if the superboy had developed different tendencies when he learned about his superpowers? That is the premise of Brightburn, a drama that gradually develops into a full-throated horror film.
David Yarovetsky’s film isn’t as resonant about Brandon Breyer’s (Jackson A. Dunn) mysterious arrival and childhood, but certainly depicts a loving environment when he is adopted and cared for by parents Toni (Elizabeth Banks) and Kyle Breyer (David Denman). It is that love which holds Brandon’s newfound sinister tendencies from overwhelming him, but it isn’t enough to keep him from mischief, or, eventually, tragedy. Because when even his foster parents turn on him, Brandon cannot help but react with violence.
If Shakespeare were alive today and writing superhero films, I think he would have created something like this, because the push and pull between good and evil is profound, fascinating and harrowing. Despite the inexorable call from the meteorite which brought him to Earth to “take the world,” Brandon tries to resist the evil impulses he is feeling. Convincingly, it is a series of small, personal moments — moments of derision, shock or betrayal — that push him past the edge of no return. We get the feeling that he could have been saved — or stopped — if Kyle and Toni had been able to make smarter decisions.
I was surprised by how effective I found Brightburn to be. I found it very unsettling and thought-provoking, remembering how painful childhood could be and how easily someone’s emotions could be sparked. The film takes its time to properly construct and execute its story elements, which I feel are believable and convincing. More than anything else, it’s a tragedy, one which is bound to have adverse effects not just on their small town but the world at large. The horror is only beginning. ☆ ☆ ☆. 31 July 2019.